Drawing on paper 2B and 3B pencils 12″ x 9 1/2″
Captain Cosy and Brad have a few minutes of quiet after a stormy day of sailing. It was great to sketch live models, friends who stayed in one place and didn’t get up and walk away never to be seen again, which happens when I sketch in a city cafe.
What is interesting to me is just recently I saw this photograph of Megan taken a month ago. My son-in-law must have taken it when I was drawing her, although in my sketch she was listening to music on her cell phone.
Flowers from Patric and Mary May 2016 acrylic on canvas 18″x24″
Tuesday a friend and I went to the Pierre Bonnard exhibit at the Legion of Honor in San Francisco. Bonnard’s paintings are full of the warm colors and light one sees in Southern France. After seeing the exhibit, I had a wonderfully fun week painting my interpretation of a special bouquet from Bloomers Florest.
Happy Mother’s Day!
Walking out into fresh morning air
I feel the quiet
But, no, a bird sings
And, then I hear a full chorus
Sung by birds I cannot see
I listen and hear
What my heart would love to see.
A groundbreaking work combining the disciplines of opera and jazz,Terence Blanchard’s Champion: An Opera in Jazz tells the real-life story of world champion boxer Emile Griffith, a man haunted by memories of his past who struggled to reconcile his sexuality in a hyper-macho world. Produced by SFJAZZ in conjunction with San Francisco’s Opera Parallèle,Champion is a visually stunning production features elaborate staging and video elements with a jazz trio, orchestra and chorus, bringing out the full glory of Blanchard’s soulful score as it illuminates a tragic story that remains acutely relevant today. Tormented by the death of opponent Benny Paret following their 1962 bout for the welterweight title, Griffith spent his life questioning himself and a society that would accept his accidental killing of a fellow athlete, but not his sexuality. The opera features a libretto by Pulitzer Prize-winning playwright Michael Cristofer and features renowned bass Arthur Woodley reprising his role as the title character. Far more than one of jazz’s most prodigious trumpeters, Blanchard has carved out a brilliant career as an A-list composer. He premiered Champion at the Opera Theatre of Saint Louis in June 2013, and has substantially re-worked the piece for this exclusive string of performances on the Miner Auditorium stage, the first since the premiere. (Excerpt taken from a piece written for the SFJSZZ Center.)
The Press takes notes, while the fight goes on.