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Here we are back in Europe, at Hotel La Mirande in Avignon, France. I was standing in the bathtub when I painted this little guy. Using a pen, a soft pencil and watercolor, I painted the sunrise in my moleskine sketchbook. With the point of an exacto knife I picked up the color where I wanted some flecks of white to show. The painting needed the contrast of something brighter. It’s interesting to me that the grey wall outside the window looks like a watercolor.
Click on image to see detail
Carla’s interpretation of view in Larmet, France
The camera’s interpretation of the scene
Megan’s interpretation of the scene
Upon entering a hotel room in Aix en Provence, many years ago, I noticed a familiar print by Dufy hanging on the wall next to the window. Accompanying the print was a note saying Raoul Dufy had painted the watercolor from this window. Yes, right there, I was looking out the window at the same scene painted in the 1920’s. Of course, I had to paint that scene. Now, my watercolor is framed and hanging in my daughter’s house. In August, I painted the another view in France, with her daughter. Here are three interpretations of the same view.
“I think a painter is happy because he is in harmony with nature as soon as he can express what he sees.” Vincent van Gogh
Tool Shed by Carla – shapes and complimentary color (click on image)
While collaborating on this blog project for two weeks, my grand daughter and I covered the basics of drawing:
Line, Form, Value, Space, Texture, Pattern and Color. We ended our drawing sessions with free, expressive figure drawings working with live models. Thinking about subject matter, we covered Landscape, Figurative, Still Life and Abstract Art using a variety of materials. We talked about the importance of Variation: variation in line, form or shape, value, space, texture, pattern and color. We had a great time together. For me, having a buddy to sketch with was the best!
Bordeaux Toes – Megan’s first drawing in her Moleskine sketchbook – Value
The sequins or diamonds idea came from the influence of seeing Li Chen’s sculpture at the Frye museum in Seattle. Eternity tableau, a clay-and-wood installation, that takes up a big room, has at its center a 12-root ruling figure holding sparkling diamonds in his arms. He, clearly, is the leader— his entourage, mill around him. http://fryemuseum.org/exhibition/4306/
Under the tulips – collage mixed media 6″ x 8″
Moleskine sketchbook – graphite pencil 3″ x 12″ open