A couple of weeks ago a friend of mine took me to the San Francisco Ballet. Our seats were the best – front and center. No photography was allowed during the performance, but I could draw. So I sketched in the dark. In a small moleskine sketchbook, using a pencil, I put down the gesture of the dance, the backdrop on stage – sometimes I draw the audience. This time I sketched the conductor. When I get home it’s always fun to see what happened in the dark. I can recognize figures moving in space, the conductor’s face and some of the backdrops referring to Russia.
Shostakovich Trilogy is a ballet about choreographer Alexei Shostakovich’s experience living in Russia under Stalin, as well as experiences he had later in life. References to these periods in Russian history are reflected in many of the production’s design elements. These references can be found in the use of the revolutionary red and the hammer and sickle in the backdrop.
While playing around in Lightroom editing the sketch I made after one of my Pilates sessions, I thought of that song, Dem bones, dem bones, those dry bones. Hunting for the lyrics on the internet, I got sidetracked. I found this super little movie Walt Disney produced in 1929. Skip the commercial and stay long enough to watch the skeletons dance 🙂
I was between flights, waiting, so I decided to draw on my ipad. It wasn’t until I was almost finished with the sketch that I realized everyone was looking down at their smartphones, cell phones, mobiles, whatever you call that handheld device with a computer in it. I was drawing on one, so I was looking down, too!
A white heron is my taxi,
my coat made of feathers
blends in with the ride.
Flying over the bridge
made of soft green grass
I hear a piano playing a tune.
From post office below me
posted envelopes float,
they quietly land in a bin.
The wedding took place at the Harbor Hotel,
chocolate mulch covered Union Square
while birds sang an aria from La Traviata.
Yesterday, sprinkled with fairy dust
a color xerox of Sadie and Jim appeared
in The New York Times.
Like a string of pearls, lay down your spine one vertebrae at a time.
https://www.faceboo whereswaldo k.com/ click to enlarge
Put your tail up and fan it out like a peacock.
Put your throat back in your neck.
Milk your sits bones.
Think of your head as a balloon full of water. Wobble it.
Like a string of pearls, lay down your spine one vertebrae at a time
Open your collar bones. That’s right ! Make them smile.
Images like zip up or, think of an elevator that’s slowly lifted to first, second, third floors etc.
With prompts like these, how could you not have fun doing Pilates.
The white skeleton, sort of hanging, standing over there by the wall is between the reformer and the trapeze table. This guy has been getting my attention lately. Ok, OK, I’ll try to draw you. So after my session I did a quick sketch of him. (It has been determined that he is a young man.) The drawing is a bit abstract and I only sketched down to his knees. I didn’t plan very well – just started drawing. Now that my core is strong and I’m standing straight up, I’ll see if I can walk out of here and keep my good posture along with a good attitude while I get bombarded by life’s daily adventures.