Painting in the Woods – Day One

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Enveloping, quiet, vivid, comforting, safe

Wow, one bright yellow green leaf !

Gone

Still

Quivering

Momentary

Restful

Light, gentle

Private

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Thoughts on painting in my studio space in the woods.

‘The thingness of the thing.’

1. The feeling tone holds the key to the painting.

2. Content

3. Form, Line, space, color and texture – Do they support the feeling I want?

At the moment of existence, it is what it is.

Feelings ‘predictable. Chances of my feelings at the moment’  Cezanne

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Before I left for an invitational painting workshop in Portland, I cut the canvas for vertical trees, but when I stood in the space in the woods my immediate reaction was this is going to be  a square painting. I went with my first thought.  Square – 4 square canvases, which at the end will work as a set of four. At the end of the day, the painting did not look like how I intended it to be, but it did convey my feeling in this space with the sunlight flickering through the trees.

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#1 acrylic on canvas 32″ x 32″ unfinished

The next morning the painting looked like it had two eyes looking at me so I painted out one of them. Now the painting is split in half. I’ll continue working on it back in the studio at home.

 An exhibition, Richard Diebenkorn: The Berkeley Years, 1953-1966, is at the de Young Museum. It seems that there is always a prominent vertical line in his paintings, even more so than his horizontal lines. I just noticed that my transitions from picture or blog has verticals, not intentional – just think it is interesting.

Eleven Year Old Copies the Old Masters – Carla and Megan’s Blog

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click on images to enlarge

Megan discovers an original Rembrandt work of art on paper.

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Albrecht Durer’s engraving of Adam and Eve was there. So were works by   Cezanne, Renoir, Degas,  Gauguin, Leon Bakst and  Flemish Renaissance painter Pieter Brueghel who sketched all the kids, toys, dogs within a whole outdoor scene.

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An original Van Gogh was next to a Rembrandt.

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Sketching an original Van Gogh.

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Here she is copying a red chalk drawing done in the Rococo style of art  by the French painter Jean- Honore Fragonard.

Megan, my grand-daughter always has a drawing pad in her hand. When she came to visit in 2011, I arranged an hour appointment for the two of us in the  Achenbach foundation collections room at the Legion of Honor where she could view privately, about a dozen original works from the old masters. A young lady brought us into a room where she had set up original prints and drawings by artists I thought Megan would like to see. The woman showed us around, then said, call me if you have any questions and left the room. Megan looked at me, hesitantly. I said, go ahead, look, draw, do whatever you want. Don’t mind me. She sat down with each print and sketched them all. Afterwards, we ate lunch in the museum cafe where we just kept drawing. It was a great day for two people who love to draw. Megan is almost thirteen now. One of her favorite painters is Cezanne. In Categories on the right under  Carla and Megan’s Blog there are more examples of Megan’s work. Scroll to the second page, too. We received comments from all over the world.  http://legionofhonor.famsf.org/legion/collections/achenbach-foundation-graphic-arts