A Drawing a Day

 

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I hear a good way to improve one’s drawing skills is to sketch every day so here we go – starting January 1st 2017,  I’ll be posting a drawing a day. The biggest challenge will be to get over the idea that every drawing I post has to be perfect. Musee d’Orsay small bronze sculpture of young dancer by Degas.

 

Sailing the Windward Islands – Caribbean Sea

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IMG_3971Captain Cosy and Brad have a few minutes of quiet after a stormy  day of sailing. It was great to sketch live models, friends who stayed in one place and didn’t get up and walk away never to be seen again, which happens when I sketch in a city cafe.

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SCN_0001What is interesting to me is just recently I saw this photograph of Megan taken a month ago. My son-in-law must have taken it when I was drawing her, although in my sketch she was listening to music on her cell phone.

Champion: An Opera in Jazz

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Terence Blanchard’s ‘Champion: An Opera in Jazz’

A groundbreaking work combining the disciplines of opera and jazz,Terence Blanchard’s Champion: An Opera in Jazz tells the real-life story of world champion boxer Emile Griffith, a man haunted by memories of his past who struggled to reconcile his sexuality in a hyper-macho world. Produced by SFJAZZ in conjunction with San Francisco’s Opera Parallèle,Champion is a visually stunning production features elaborate staging and video elements with a jazz trio, orchestra and chorus, bringing out the full glory of Blanchard’s soulful score as it illuminates a tragic story that remains acutely relevant today. Tormented by the death of opponent Benny Paret following their 1962 bout for the welterweight title, Griffith spent his life questioning himself and a society that would accept his accidental killing of a fellow athlete, but not his sexuality. The opera features a libretto by Pulitzer Prize-winning playwright Michael Cristofer and features renowned bass Arthur Woodley reprising his role as the title character. Far more than one of jazz’s most prodigious trumpeters,  Blanchard has carved out a brilliant career as an A-list composer. He premiered Champion at the Opera Theatre of Saint Louis in June 2013, and has substantially re-worked the piece for this exclusive string of performances on the Miner Auditorium stage, the first since the premiere. (Excerpt taken from a piece written for the SFJSZZ Center.)

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The Press takes notes,  while the fight goes on.

 

I kill a man and most people understand and forgive me. However, I love a man, and to so many people this is an unforgivable sin”. —Emile Griffith

Drawing with a Stick

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Hunting for the right drawing tool I pick up a stick. Will one end of the stick draw a fine line? Will the other end make a softer line and shape? Dipping the stick into a container of India ink I look and start to draw. Eye, to hand, to paper, I make marks. I draw the shape of my face, feeling tone of my head, the texture of my hair, gesture of my turned head. I draw  space, my hair touching the edge of the paper  or the two dimensional picture plane. My head is turned;  my hair  goes back into three dimensional space. I draw until my sketch is done. Awareness of my surroundings clicks back into place. I return to everybody’s world.

Painting and Drawing in Italy

cathedral    Serravalle                                                                                      acrylic on canvas 12″ x 16″ 2015

Our group was made up of five students and one teacher, Eva Bovenzi. John, Eva’s husband came too. We met 40 miles outside of Venice, in Vittorio Veneto, Treviso. We stayed at Palazzo Galletti. Built in the 14th century, the little palazzo was on a quiet cobblestone street in Serravalle, the ancient part of town. We worked for 8 days in Alma Ortolan’s downstairs studio. Besides restoring frescoes, she gives her own workshops in fresco technique. After breakfast, our group would meet for an image presentation. Then, we went off in different directions to sketch. After lunch we worked in the studio, which was followed by a critique and dinner. My small suitcase on rollers, was filled with art supplies. I packed two 12” x 16” boards which were used as support for presized canvas that  wrapped around the board and was tacked with artist’s tape. I took sketchpads, drawing materials, tubes of acrylic paint, brushes, a palette, rags, water container and a backpack to carry my art supplies when I went out sketching. Completed rolled paintings fit diagonally into my suitcase when it was time to pack and go home.

Del Carmine Madonna

Taking watersoluble crayons and sketchpads, Arina and I walked through the quiet old town to sit in Chiesa di S. Giovanni Battista. Choosing the statue of Madonna del Carmine I sketched for more than an hour while listening to my friend happily humming as she sketched sunlight touching a column.

Woods Serravalle

 

dog ItalyThe next morning, I walked up behind the houses into the trees. While I was sitting on the ground sketching, one of the locals walked into my view. Stooping down he filled his straw basket with raw walnuts. His black and white dog kept running up to me bringing me a stick to throw. Thinking of Cezanne and loving the background color coming from behind the tree I walked back to the studio.

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After a few well-intentioned strokes my new painting took on a mind of it’s own.