View From My Chair mixed media 5″x 5″
Black lava meets sand
Warm water around my feet
The green turtle sleeps
Flowers from Patric and Mary May 2016 acrylic on canvas 18″x24″
Tuesday a friend and I went to the Pierre Bonnard exhibit at the Legion of Honor in San Francisco. Bonnard’s paintings are full of the warm colors and light one sees in Southern France. After seeing the exhibit, I had a wonderfully fun week painting my interpretation of a special bouquet from Bloomers Florest.
Happy Mother’s Day!
And what to do now?????? Just saw what you are seeing and the color is way off. Delete post? Leave it up and try to correct it? Pikazo knows how to do it right, but man, I can sure mess up it up. So I tried correcting my mistakes but the color is still not like my painitngs. You know what? Go to Pikazo and you’ll see the true color of these things. If I want to post on the internet any of my art work, I’d better try using white paint on a black piece of paper. Maybe that will work for me.
Karl Stiefvater, the app’s St. Louis-based inventor and his business partner, Noah Rosenberg asked a group of friends to beta test a new app. Lisa, wife and behind the scenes worker bee invited me to join the secret group. We weren’t given much instruction – just jump in and see what the app can do. This app is amazing. I started out with a picture of one of my self portraits, then paired it with the style of a preset artist. I tapped the paint ! button and waited and soon Pikazo sent me a painting based on the information from my two choices. But there is more! Under style there is a custom button. You can put in your own image, any kind of image from your photos or the internet. I put in one of my paintings. You are not limited to selfies in picture. Try anything, Sometimes it works, sometimes it doesn’t. That’s the fun of it. The app eggs you on to make just one more picture. The results are fantastic. Go over to the Apple app store and pick it up. It’s really fun.
Pikazo’s painting using my sketch and my abstract painting
The possibilities are endless.
(ahh this is better color)
Our group was made up of five students and one teacher, Eva Bovenzi. John, Eva’s husband came too. We met 40 miles outside of Venice, in Vittorio Veneto, Treviso. We stayed at Palazzo Galletti. Built in the 14th century, the little palazzo was on a quiet cobblestone street in Serravalle, the ancient part of town. We worked for 8 days in Alma Ortolan’s downstairs studio. Besides restoring frescoes, she gives her own workshops in fresco technique. After breakfast, our group would meet for an image presentation. Then, we went off in different directions to sketch. After lunch we worked in the studio, which was followed by a critique and dinner. My small suitcase on rollers, was filled with art supplies. I packed two 12” x 16” boards which were used as support for presized canvas that wrapped around the board and was tacked with artist’s tape. I took sketchpads, drawing materials, tubes of acrylic paint, brushes, a palette, rags, water container and a backpack to carry my art supplies when I went out sketching. Completed rolled paintings fit diagonally into my suitcase when it was time to pack and go home.
Taking watersoluble crayons and sketchpads, Arina and I walked through the quiet old town to sit in Chiesa di S. Giovanni Battista. Choosing the statue of Madonna del Carmine I sketched for more than an hour while listening to my friend happily humming as she sketched sunlight touching a column.
The next morning, I walked up behind the houses into the trees. While I was sitting on the ground sketching, one of the locals walked into my view. Stooping down he filled his straw basket with raw walnuts. His black and white dog kept running up to me bringing me a stick to throw. Thinking of Cezanne and loving the background color coming from behind the tree I walked back to the studio.
After a few well-intentioned strokes my new painting took on a mind of it’s own.
Trying to be Straight mixed media on canvas 56″ x 77″ double click on image
How do I write about this painting? The painting isn’t finished. The photograph shows a parallax error. This is a report on it’s beginnings. It’s trying to be straight, but its not. The measurements are a little bit off. How do I make a straight line? The canvas is five by six feet. I’m small. By trial and error I put together a painting using a T-square, a plumb line. I tied a weight to the end of a string. The string fell straight down. The painting is about connecting two marks or points to make a line. A straight line is the shortest distance between two points. A line has a beginning, movement and a stop. A line can go off to infinity in both directions. Here, lines are broken leaving room to wander through space.There’s a grid or it it a net? The goalie misses the ball; loopholes are found in tax laws. Shape, is it really a solid square? The white line – Is it the bulkhead at the pool? impermeable? The painting looks milky. But, milkiness exists. The edges of things are not quite what they seem. The plumb line is our constant.The mind set is complicated.
Inspiration for this painting came from a collage by Canadian painter Stephen MacInnis. The Long Series is a group of mixed media paintings on paper. 12″x12″. Stephen’s goal is to complete 10,000 pieces. At the moment he has completed over 1,400. I just bought this one. It’s interesting to me, that I, too, have been working on a lot of the same things. Click on images to enlarge.
Why do I paint? I like the process of painting, the challenge. I lay down one stroke, That stroke calls for another stroke and the process continues until I have a “there it is” moment, when the painting is done. My tool – This brush has traveled with me from studio to studio. The material – Medium weight cotton duck canvas stapled to the wall. I covered the surface with gesso, a paint medium used as a base to protect the raw canvas. While I am in the process of covering the canvas with a base, I really like what happens. Priming the canvas I start in the middle and work my way out. This application of paint tightens the canvas as I work my way out to the edges. I’ll end up a with a nicely taut canvas with no wrinkles. But first look at this! There’s a painting right here. In the first image I like the dark square on the natural color rectangle; rounded 3 dimensional wrinkles or lines radiate outward. The second image is a pleasing shape playing with the original support, the picture plane.The third image becomes a photograph of an abstract image showing variation in lines created with a big brush, drips and wrinkled canvas – reminds me of Franz Kline. http://www.gagosian.com/artists/franz-kline