At the last minute we decided to go to L’Orangerie. It was too cold to wait in line so we went across the street to Maxim’s and had lunch. Fun menu to draw on..
I thought of Matisse‘s chapel in Nice, France. Chapelle_du_Rosaire_de_Vence . The two doors carved in wood designed by Matisse for the confessionals are painted a slick white enamel. Colored sunlight makes its way through through the carved open areas and spills onto the floor. Inside the little room are stained glass windows coloring the sunlight; yellow for the sun, green for vegetation and blue for the Riviera sky.
It looked too much like a stilted wooden butterfly had landed on the painting. I replaced it with the sky shinning through the leaves.
Setting up for lunch. I invited a friend to join me for lunch in my studio. Bring your own food and chair.
This painting was worked on the rest of the day – more to come.
click on images to enlarge
Megan discovers an original Rembrandt work of art on paper.
Albrecht Durer’s engraving of Adam and Eve was there. So were works by Cezanne, Renoir, Degas, Gauguin, Leon Bakst and Flemish Renaissance painter Pieter Brueghel who sketched all the kids, toys, dogs within a whole outdoor scene.
An original Van Gogh was next to a Rembrandt.
Sketching an original Van Gogh.
Megan, my grand-daughter always has a drawing pad in her hand. When she came to visit in 2011, I arranged an hour appointment for the two of us in the Achenbach foundation collections room at the Legion of Honor where she could view privately, about a dozen original works from the old masters. A young lady brought us into a room where she had set up original prints and drawings by artists I thought Megan would like to see. The woman showed us around, then said, call me if you have any questions and left the room. Megan looked at me, hesitantly. I said, go ahead, look, draw, do whatever you want. Don’t mind me. She sat down with each print and sketched them all. Afterwards, we ate lunch in the museum cafe where we just kept drawing. It was a great day for two people who love to draw. Megan is almost thirteen now. One of her favorite painters is Cezanne. In Categories on the right under Carla and Megan’s Blog there are more examples of Megan’s work. Scroll to the second page, too. We received comments from all over the world. http://legionofhonor.famsf.org/legion/collections/achenbach-foundation-graphic-arts
I had seven days to create a book. Here you followed a work in progress. We were going to see if in a week I had a finished product. for Sketchbook Project 2013. If not – zilch. Today is the day I must have it in the mail going to Brooklyn, New York. The book isn’t finished , but I wouldn’t say I have zilch. There are some interesting pairings happening. I have the beginning of an Artists’ Book. Right now it is a traditional 7″ x 10″ codex book. But the opportunities for change are endless. Check out this website about Artists’ Books. http://www.philobiblon.com/isitabook/bookarts/index.html
The book was going to be titled, Chairs, but now I’m thinking the title will be Sit. I’ll probably add some text, maybe just a few adverbs thrown in. The readers will be the ones to interpret the book’s contents. It may be a one-of-a-kind Artists’ Book or a small edition of 30. The structure of the book will probably stay the same. Maybe I’ll make a small edition of Sit just xeroxing the contents, binding it or stapling it together in order to sell it on Amazon.com for a very reasonable price.
Would you download a free Artists’ eBook?
Click on images to enlarge.
Waking up early I thought of the Milky Way in the summer sky. The night before our family was identifying constellations on a warm night in Southern France. What could I draw on? I found some newspapers near the fireplace. Using a stick and some India Ink I sketched how I remembered the sky. This morning I was looking through some of my photographs and came across this one. Posting this image today seems apropos.
click image to enlarge
Here we are back in Europe, at Hotel La Mirande in Avignon, France. I was standing in the bathtub when I painted this little guy. Using a pen, a soft pencil and watercolor, I painted the sunrise in my moleskine sketchbook. With the point of an exacto knife I picked up the color where I wanted some flecks of white to show. The painting needed the contrast of something brighter. It’s interesting to me that the grey wall outside the window looks like a watercolor.
Click on image to see detail
Carla’s interpretation of view in Larmet, France
The camera’s interpretation of the scene
Megan’s interpretation of the scene
Upon entering a hotel room in Aix en Provence, many years ago, I noticed a familiar print by Dufy hanging on the wall next to the window. Accompanying the print was a note saying Raoul Dufy had painted the watercolor from this window. Yes, right there, I was looking out the window at the same scene painted in the 1920’s. Of course, I had to paint that scene. Now, my watercolor is framed and hanging in my daughter’s house. In August, I painted the another view in France, with her daughter. Here are three interpretations of the same view.
“I think a painter is happy because he is in harmony with nature as soon as he can express what he sees.” Vincent van Gogh