Archive for the ‘Artists’ books’ Category

Driving to Hotel Hallo Coca Cola / Cow Dust Hour

February 11, 2012

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Driving to Hotel Hallo Coca Cola / Cow Dust Hour

Birla power

Tata trucks

Leaf plates stitched

Earth swept

sunlit

barefoot

chili

Saris

goats

monkeys and a pig

Dark skin

between

coconut palm

Thursday

wires

dust

electricity

Two bullocks

idli

a Honda bike

Bindies

and

bangles

men dressed

in white

Darkness falls

headlights

when

An evening lamp

is lit.

The Cow is served Dinner – Southern India

February 10, 2012

Mitered bamboo picks

stitch leaf plate.

The cow is served dinner.

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Market Day – Southern India

February 9, 2012

Brass

nose rings

neck rings

earrings

fingers and toes

silver pins in her hair

market day

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Artist’s Book About Wine – California

February 8, 2012

An “artist’s book” is a work of art, not just a vehicle to contain a story and communicate non-visual ideas. Different media are used in a unique way to create a book-like object. These books are puzzles. They are undefined. The viewer and the artist make up their own story using clues from the book-like structure. Image, text and structure are equally important. It’s a book!

This book is titled ‘Library Selection’

I took apart a case of wine and assembled the pieces in a new way. The wood dividers became the pages holding words pertaining to wine, A to Z.  The definitions of the words are on the back each page. By reassembling the original cutout wood that cradled  the bottle, I created a round hole for the bottle of wine.

Library Selection  1998

Stamped wood wine shipping container

1987 Trefethen Chardonnay

12 x 13 x 12 inches size

What Shall I do with the Handmade paper I created?

February 7, 2012

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Behind the Veteran’s Building  2001

Handmade paper using plant life from Napa, CA. pen and ink, watercolor,

Parchment paper, ink jet print, stamps, raffia, plastic

7 x 5 inches

It’s really easy to make your own paper. All you need is some scraps of paper, a blender from the kitchen and a framed screen. You’ll need some felt to sop up the excess water. After collecting leaves and tiny flowers I made the pulp. Before the new piece of paper was dry I inserted straw for a tie.  One day when my husband and I went on a hike, I jotted down some notes along the way. When I made this book I just just left the notes the way they were, made the font really tiny and printed it. The grasses and tiny flowers were collected during the hike. This kind of handmade book is called a single signature book, an Artist’s book.

Chinese Sketching Brush Strokes

February 6, 2012

Portrait

Looking at the names of sketching strokes

in Chinese art, I see the country:

 

Ancient wavy silk thread

String

Iron wire

Moving cloud and flowing water

Leech

Nail-head, rat-tail

Wedge

Broken reed

Olive

Date pit

Willow leaf

Bamboo leaf

Shaking ripple

Earthworm

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Lips to Legs – A Self Portrait

January 31, 2012

This little moleskine book started out being a sketchbook to practice drawing my face. It ended up with bare feet on accordian folded legs. You can make the legs dance, a nice way to comment on Restless Leg Syndrome.

Buying New Toys for the Studio

January 30, 2012

It was like Christmas; opening boxes  -  two Quattro Flourescent light sets, daylight balance light bulbs (35 watts each), reflector diffuser,  and a portable translucent shooting  table. After taking a class at Calumet http://www.calumetphoto.com/on how to photograph small things, I bought some equipment for my studio.  I needed some lighting anyway. When my studio ceiling began to fall down (the chunks were an inch thick)  I tore out the light fixtures.  I have no lights in there – only a wall of windows – great natural light. So I needed the lights anyway . The table top desk is good because I can put it on the floor and shoot looking down at the object. Now I will have no excuse – better photographs of my Artists Books.  I’m not counting these images though. I took these with my iphone, I couldn’t wait. I just wanted to set uo everything right away and try it out. The “book” is a collaborative book I  made with my grand daughter. You can see I  borrowed her swan which has become a permanent part of my Artist Book, ‘ The Queen’s Swans.’

‘The Queen’s Swans’  is made up of 20 accordian books containing original watercolor and graphite drawings of the swans on the river Thames near Windsor Castle and a plastic swan. The pieces are housed in a  box with a bamboo cover.

The Bay Bridge – Artists’ Book

January 25, 2012

This is an Artists’ Book

An Artists’ Book is a work of art. It is not just a vehicle to contain a story and communicate non-visual ideas.

Different media are used in a unique way to create a book-like object.

These books are puzzles.

They are undefined.

The viewer and the artist make up their own story using clues from the book-like structure.

Text, image and structure are equally important in an Artists’ Book.

In The Bay Bridge my cover and spine is the steel box. The pages can be taken out of the box and looked at indvidually.

For a few years we lived in an apartment looking right out at the Oakland- San Francisco Bay Bridge. In a drawer near the window I kept a supply of the same  size  ’pages’  for my Artists’ Book. I’d record what was going on outside my window. What happens is you have the same size  paper for each drawing and painting so you start to think of different ways to fill that piece of paper. The book is chuck full now. Included in the steel box are stories about connections I have had with the bridge.

Intuitive Collisions, An Artists’ Book – California 1999

January 20, 2012

When I started making Artists’ Books I thought people have been making books for years and anyway, I’m a painter. What can I do that would be different? I decided to make a big book. Each page is made up of two oil paintings on canvas, stretcher bars included. Metal prongs hold them together. What is Intuitive Collisions about? My father was a financier, an industrialist and I was an artist. Our minds couldn’t have been farther apart. We ended up taking early morning walks together. He would talk to me about building a bridge or how the stock market was doing.  I would be looking at how the fog masked out the vineyard leaving only the trees to see. By the end of the walk, we’d be happy to have spent some time with each other. I think we understood each other a little bit better, too.

Intuitive Collisions  1999

Oil, transfers, acrylic on canvas, stretcher bars, wood joiners,

prong type glides, metal hinges

14″ x 29″ x 9″     58 inches open book